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Статті

• TERM SEMANTIC STRUCTURE: CORE, INTERCONNECTIONS, POTENTIAL

  Olha Aliieva

  9-15

  • PDF (Українська)

• A HISTORICAL PERSPECTIVE ON PHONOSEMANTICS AND PHONOSEMANTIC REALITIES IN THE GERMAN LANGUAGE

  Sviatoslаva Andriiva

  16-21

  • PDF (Українська)

• THE SPATIAL CONCEPT ‘UP’ AS A SOURCE OF METAPHOR IN THE ENGLISH-SPEAKING WORLDVIEW

  Iryna Andryeyeva, Mariia Shymianova

  22-27

  • PDF (Українська)

• LINGUO-CULTURAL CHALLENGES IN TRANSLATING SOCIO-POLITICAL REALITIES OF CONTEMPORARY GERMANY

  Vitalii Antonenko

  28-33

  • PDF (Українська)

• A-NARRATIVE STRATEGY OF REPRESENTING THE TIME AND SPACE OF BULGARIAN SOCIALISM IN GEORGI GOSPODINOV’S COLLECTION INVISIBLE CRISES

  Andrii Antonov

  34-42

  • PDF (Українська)

• RENDERING THE ABSOLUTE PARTICIPIAL CONSTRUCTION IN UKRAINIAN LITERARY TRANSLATION: A GRAMMATICAL CHALLENGE AND A STYLISTIC SOLUTION

  Kateryna Bezpalova, Yuliia Chernova, Diana Kim

  43-48

  • PDF (Українська)

• GUIDING THE NATION: METAPHORICAL FRAMING IN UK POLITICAL SPEECHES

  Olga Beshlei

  49-55

  • PDF

• LEXICAL STYLISTIC DEVICES IN LAUREN OLIVER’S NOVEL “BEFORE I FALL” AND THE SPECIFICS OF THEIR USE IN DEPICTING THE PSYCHOLOGICAL STATE OF THE CHARACTERS

  Olha Bilyk, Vita Nespliak

  56-60

  • PDF (Українська)

• COMPARATIVE ANALYSIS OF THE EFFECTIVENESS OF LARGE LANGUAGE MODELS FOR METAPHOR IDENTIFICATION: ZERO-SHOT AND FINE-TUNING METHODS

  Yakiv Bystrov, Nestor Bolshakov

  61-68

  • PDF

• EXPRESSIVE MEANS IN PLAUTUS:’ COMEDY “THE POT OF GOLD”

  Iryna Borbenchuk

  69-74

  • PDF (Українська)

• APPROACHES TO DEFINING THE INTERACTION OF LANGUAGE AND CULTURE: AN ANALYSIS OF THE SAPIR-WHORF HYPOTHESIS

  Kateryna Brovko, Nadiia Diachok, Maryna Kurnylovych

  75-79

  • PDF (Українська)

• EROTIC TYPE OF LOVE IN IVAN FRANKO’S PROSE

  Iryna Horoshko

  80-88

  • PDF (Українська)

• LOCALISATION OF ENGLISH ADVERTISING SLOGANS IN CONTEMPORARY TRANSLATION DISCOURSE

  Olga Grynko, Iryna Rayevska

  89-93

  • PDF (Українська)

• NARRATIVE MENTAL SPACES CONFIGURATION IN PSYCHOTHERAPEUTIC DISCOURSE BY IRVIN YALOM

  Oksana Doichyk, Iryna Shkoruta

  94-103

  • PDF (Українська)

• THE USE OF PARALLEL CORPORA TOOLS IN TRANSLATING STYLISTIC DEVICES

  Svitlana Druzhbiak, Kateryna Bodiakivska

  104-110

  • PDF (Українська)

• THE IMAGE OF THE “OTHER” IN M.-F. CLERC’S NOVEL “UN-POSSIBLE VOYAGE”

  Yuliia Ihnatovych, Nataliia Yatskiv

  111-117

  • PDF (Українська)

• LINGUOCULTURAL FEATURES OF KOREAN DORAMS

  Oksana Кindzhybala, Piriuza Hryhorian

  118-123

  • PDF

• FEATURES OF PAVLO TYCHYNA’S INDIVIDUAL STYLE (BASED ON THE COLLECTION INSTEAD OF SONNETS AND OCTAVES)

  Oksana Kovalenko

  124-131

  • PDF (Українська)

• PUNS AS A FORM OF LANGUAGE GAME: MECHANISMS OF CREATION AND FUNCTIONING IN THE COMMUNICATIVE DISCOURSE OF JAPANESE MANGA

  Olena Kravets, Anastasiia Moroz

  132-139

  • PDF (Українська)

• LINGUOPOETIC INTERPRETATION OF THE HEART OF S. V. SHUMYTSKYI

  Valentyna Kryvenchuk

  140-144

  • PDF (Українська)

• THE MOTIF OF THE HORSE IN “LETHAL WHITE” BY ROBERT GALBRAITH: WHY HAS THE AUTHOR MADE IT SO UNAVOIDABLE?

  Olga Kulchytska, Ella Mintsys

  145-151

  • PDF

• THE AESTHETICS AND IDEOLOGY OF THE IMAGE OF THE MOON IN SAMANTHA HARVEY’S ORBITAL: A STYLISTIC ANALYSIS

  Tetyana Lunyova

  152-159

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• SYNTACTIC FEATURES OF TRANSLATING THE AUDIOVISUAL TEXT OF THE TV SERIES LISEY’S STORY BY STEPHEN KING

  Iryna Matiiash-Hnediuk, Iryna Karpa

  160-166

  • PDF (Українська)

• TRANSLATION STRATEGIES OF LINGUOCULTUREMES IN A DUBBED VERSION OF THE “CARS” CARTOON

  Yelyzaveta Nalivkina, Marianna Dilai

  167-172

  • PDF (Українська)

• THE PROBLEM OF IDENTIFYING A PROPAGANDA NARRATIVE IN THE MODERN GERMAN PRINTED PRESS

  Oleg Ostapovych

  173-179

  • PDF (Українська)

• FEATURES OF THE PRAGMATIC MODEL OF BEING IN VALERIAN PIDMOHYLYNYI’S NOVEL A LITTLE DRAMA

  Ihor Pomazan

  180-186

  • PDF (Українська)

• CORPUS-BASED APPROACH TO THE ANALYSIS OF THE VERBALIZATION OF THE CONCEPT OF DIGNITY IN UKRAINIAN AND ENGLISH MEDIA DISCOURSE

  Liubov Radelytska, Marianna Dilai

  187-193

  • PDF (Українська)

• POSTCOLONIAL ORIENTAL SYMBOLISM IN ENGLISH TRANSLATIONS OF OKSANA ZABUZHKO BY UKRAINIAN DIASPORAL TRANSLATORS

  Anastasiia Romanchuk

  194-199

  • PDF

• GENERATIVE AI AND THE FUTURE OF ENGLISH AS A LINGUA FRANCA IN GLOBAL BUSINESS COMMUNICATION

  Iryna Rudik, Maryna Ter-Grygorian

  200-208

  • PDF

• POEM “THE MOST HORRIBLE TALK SHOW IN THE WORLD ” BY MAKSYM KRYVTSOV: ATTEMPTS TO FIND A NEW POETIC LANGUAGE

  Mykhailo Senkiv

  209-214

  • PDF (Українська)

• SHEVCHENKO ALLUSIONS AND QUOTATIONS IN THE NOVEL “CLOUDS” BY IVAN NECHUI-LEVYTSKYI: INTERTEXTUALITY AS A MARKER OF NATIONAL IDENTITY

  Lyudmyla Skoryna

  215-222

  • PDF (Українська)

• PHENOMENON OF INTERTEXTUALITY IN LINGUISTIC AND TRANSLATION ASPECTS

  Svitlana Fedorenko

  223-229

  • PDF

• EVOLUTION OF HYPERCONCEPTS LOVE AND MAN VEBALISATION IN ADELE’S LYRICS

  Khrystyna Khabailiuk, Svitlana Kobuta

  230-237

  • PDF (Українська)

• ADAPTATION OF THE TERMINOLOGY OF ENGLISH-LANGUAGE SALES SITES INTO UKRAINIAN: FUNCTIONAL-SEMANTIC ASPECT

  Dmytro Chebonenko

  238-243

  • PDF (Українська)

• NATIONAL AND CULTURAL SPECIFICITY OF FLORONYMS’ SEMANTICS IN THE UKRAINIAN AND ENGLISH LANGUAGES

  Antonina Cherniavska

  244-251

  • PDF (Українська)

• POLYVECTORALITY OF CONTRAST IN THE HUMANITIES

  Liudmyla Yuldasheva

  252-259

  • PDF (Українська)

• THE MODEL OF A NATIONAL LEADER IN NOVELS IN POEMS BY L. KOSTENKO

  Inna Yurova

  260-267

  • PDF (Українська)

• THE USE OF LANGUAGE PLAY AND PHRASEOLOGY IN SATIRE

  Vita Yurchyshyn, Svitlana Harbera

  268-273

  • PDF (Українська)

• EXPRESSIONS OF PURCHASE INTENT IN ENGLISH-LANGUAGE FACEBOOK RETAIL DISCOURSE

  Olga Yashenkova

  274-281

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