No. 4 (2024): Folium

Статті

• HYPERO-HYPONYMIC CONNECTIONS: VARIABILITY AND INVARIANCE

  Olha Aliieva

  11-16

  • PDF (Українська)

• THE PECULIARITIES OF REPRESENTING THE IMAGE OF THE WORLD IN THE NOVEL “THE SEA OF TRANQUILITY”

  Nataliia Bazylevych

  17-24

  • PDF (Українська)

• LANGUAGE MEANS OF EXPRESSIVENESS IN FEDІR POTUSHNIAK’S LYRICS

  Valentyna Barchan

  25-33

  • PDF (Українська)

• FIGURES OF SOUND IN UKRAINIAN TRANSLATIONS OF R. M. RILKE’S POETRY: A LINGUOSEMIOTIC APPROACH

  Liliia Bezugla, Nataliia Diachenko

  34-40

  • PDF (Українська)

• COMMUNICATIVE-PRAGMATIC POTENTIAL OF UTTERANCES WITH THE MODALITY OF INTENTIONAL VOLITION

  Yakiv Bystrov, Nataliia Kuravska, Diana Sabadash

  41-47

  • PDF

• FUNCTIONAL FEATURES OF VASYL STEFANYK'S DIALECTISMS IN FRENCH TRANSLATIONS

  Andriy Bilas, Pavlo Sorokhtei

  48-54

  • PDF (Українська)

• SPECIFICITY OF THE LITERARY ETHNO-IMAGE OF ANNE OF KIEV IN M.-C. MONCHAUX'S NOVEL ‟LA PETITE PRINCESSE DES NEIGES ANNE DE KIEV” AND THE FAIRY TALE NARRATIVE BY I. MALKOVYCH ‟ANNA YAROSLAVNA: PRINCESSE OF KYIV – QUEEN OF FRANCE”

  Yaryna Bunziak

  55-61

  • PDF (Українська)

• PECULIARITIES OF THE REPRESENTATION OF THE LEXEMES “ENEMY” AND “VIETNAMESE” IN THE MEMORIES OF VIETNAM WAR PARTICIPANTS

  Oleksandr Vasenko

  62-69

  • PDF (Українська)

• THE TITLES OF FEDIR POTUSHNIAK’S WORKS OF ART AS MANIFESTATIONS OF LANGUAGE CREATION

  Nataliа Venzhynovych, Hanna Snozyk

  70-75

  • PDF (Українська)

• MENTAL CHARACTERISTICS OF THE "SOUL" CONCEPT IN THE WORK OF FEDIR POTUSHNIAK

  Tetyana Vilchynska

  76-81

  • PDF (Українська)

• LEXICAL BORROWINGS IN THE SPANISH LANGUAGE (BASED ON THE MATERIAL OF THE FRENCH, ITALIAN AND PORTUGUESE LANGUAGES)

  Svitlana Harbera

  82-87

  • PDF (Українська)

• SPEECH STRATEGIES OF INFLUENCE IN GERMAN-LANGUAGE SOCIAL ADVERTISING

  Olga Dzykovich, Nataliia Moisieieva, Yuliia Pryimachuk

  88-92

  • PDF (Українська)

• METAPHORIC REPRESENTATION OF GROUP THERAPY IN PSYCHOTERAPEUTIC DISCOURSE (BASED ON I. YALOM’S NOVEL THE SCHOPENHAUER CURE)

  Oksana Doichyk, Iryna Shkoruta

  93-100

  • PDF (Українська)

• REPRESENTATION OF SHAKESPEAREAN INTERTEXTUALITY IN BORYS FYNKELSHTEYN’S ‟O VENICE...!”

  Dmytro Drozdovskyi

  101-105

  • PDF (Українська)

• APPROXIMATION AS A LINGUISTIC HEDGING TACTIC IN ACADEMIC DISCOURSE: INTERLINGUAL ASPECT

  Natalia Ivanytska, Inha Paslavska

  106-112

  • PDF

• VERBALISATION OF VISUAL EXTRINSIC SENSATIONS IN THE NOVEL “DOTSIA” BY TAMARA HORIKHA ZERNIA

  Zhanna Koloiz, Tetiana Soloviova

  113-119

  • PDF (Українська)

• REPRESENTATION OF ACADEMIC DISHONESTY IN ENGLISH-LANGUAGE CARTOONS

  Elina Koliada, Iryna Kalynovska

  120-126

  • PDF (Українська)

• LINGUOPRAGMATIC FEATURES OF THE REPRESENTATION OF THE IMAGE OF UKRAINE IN THE HEADLINES OF HUMOROUS FAKE NEWS (BASED ON THE MATERIAL OF THE RESOURCE ‟DER POSTILLON”)

  Nataliia Korolova, Anna Hrymaliuk

  127-133

  • PDF (Українська)

• FEATURES OF THE VERBALIZATION OF THE KEY CONCEPT OF THE INTERNAL WORLD OF HUMANS ‟HEART” (BASED ON THE MATERIAL OF THE WORKS OF FEDIR POTUSHNIAK)

  Larysa Kravets

  134-138

  • PDF (Українська)

• ECONOMIC TERMINOLOGY AS AN OBJECT OF COMMUNICATION THEORY (BASED ON THE ENGLISH SPECIALIZED PERIODICALS)

  Liudmyla Krainiak, Oleksandra Duda, Svitlana Rybachok

  139-145

  • PDF (Українська)

• COMMUNICATION NOISE IN CASE OF FLOUTING THE PRINCIPLES OF COOPERATION AND POLITENESS (ON THE BASE OF ‟PYGMALION” BY BERNARD SHAW)

  Olga Krynytska, Diana Sabadash

  146-153

  • PDF (Українська)

• PROSODIC PAUSE IN A FREE VERSE POEM READ ALOUD

  Olga Kulchytska, Anna Erlikhman

  154-159

  • PDF (Українська)

• “IF WE OFFEND, IT IS WITH OUR GOOD WILL”:1 MALAPROPISMS, MISPRONUNCIATION AND GARBLING OF LANGUAGE IN SHAKESPEARE'S

  David Livingstone

  160-166

  • PDF (Українська)

• LITERARY WARDROBE IN THE ASPECT OF SECONDARY NOMINATION

  Svitlana Lobzova

  167-176

  • PDF (Українська)

• NARRATOLOGICAL AND COGNITIVE FOCUS OF THE AUTHOR’S POSITION IN PSYCHOBIOGRAPHICAL NOVELS BY STEPAN PROTSIUK

  Marta Madii

  177-183

  • PDF (Українська)

• THE ALGORITHM FOR THE RESEARCH OF AMERICAN PHRASEOLOGISMS OF THE ENGLISH LANGUAGE IN THE XXI CENTURY

  Anna Maksymova

  184-188

  • PDF (Українська)

• ‟THE DANISH GIRL”: EKPHRASIS IN THE NOVEL AND ON THE SCREEN

  Iryna Malyshivska, Svitlana Romanchuk

  189-194

  • PDF (Українська)

• SPEECH OVERLAPS IN THE DIALOGUES OF BRITISH DRAMAS OF THE 20TH CENTURY (USING TOOLS OF CONVERSATIONAL ANALYSIS)

  Iryna Matiiash-Hnediuk, Tetiana Huliak

  195-200

  • PDF (Українська)

• SEMANTIC PECULIARITIES OF ENGLISH-SPEAKING COMMUNICATION IN THE CONTEXT OF INTERCULTURAL AND SOCIAL INTERACTION

  Mariya Matkovska

  201-206

  • PDF (Українська)

• MYTHOPOETICAL ANALOGIES IN THE FICTION OF HALYNA PAHUTIAK AND JYRKI VAINONEN

  Halyna Matusiak

  207-211

  • PDF (Українська)

• SPEECH FEATURES OF THE CHARACTERS OF AFRICAN-AMERICAN LITERATURE ON THE EXAMPLE OF THE NOVEL BY K. STOCKETT ‟THE HELP”

  Violetta Myrhorod

  212-217

  • PDF (Українська)

• FIRST SPEECHES OF V. ZELENSKYY TO WORLD LEADERS. UKRAINIAN CHURCHILL

  Daria Mytsan

  218-222

  • PDF (Українська)

• BINARY CONCEPTS OF “LIGHT AND DARK” IN HALYNA PAHUTIAK'S NOVEL “THE GENTLEMAN IN A BLACK SUIT WITH SHINY BUTTONS”

  Larysa Minich, Olha Havryliuk

  223-227

  • PDF (Українська)

• PARATEXTUALITY OF THE AUTHOR’S DEDICATION: PERITEXT VS EPITEXT

  Ella Mintsys, Liudmyla Kryshtopa

  228-233

  • PDF

• MYTHOPOETICS OF PERSONALISM IN JOSEPH ROTH'S NOVEL “THE HUNDRED DAYS”

  Tetiana Monolatii

  234-240

  • PDF (Українська)

• FEATURES OF THE EXPRESSION OF COMPARISON IN GERMAN PHRASEOLOGY

  Lesia Ovsiienko, Veronika Haniechko

  241-246

  • PDF (Українська)

• TO THE PROBLEM OF THE FUNCTIONING OF ANGLICISMS IN MODERN UKRAINIAN LANGUAGE: THEORETICAL ASPECT

  Liudmyla Prybluda

  247-251

  • PDF (Українська)

• PRAGMATICS OF THE COMIC IN W. CHURCHILL’S AND V. ZELENSKYY’S RHETORIC OF WAR

  Khrystyna Priadun, Vira Nikonova

  252-258

  • PDF (Українська)

• THE IMAGE OF THE DEAD LOVER IN THE WORKS OF FEDIR POTUSHNIAK (ARTICLE “DEAD LOVE”, SHOT STORIES “THE PIT”, “THE HAT WITH A GREEN FEATHER”) AND IN UKRAINIAN FAIRY TALES

  Oksana Tykhovska

  259-267

  • PDF (Українська)

• THE MUSIC CODE OF IDENTITY IN CONTEMPORARY UKRAINIAN POETRY

  Iraida Tombulatova

  268-273

  • PDF (Українська)

• SARCASM AS A COMMUNICATIVE-PRAGMATIC SUPERSTRATEGY OF MOCK POLITENESS

  Narmin Yashar kyzy Fatullaieva

  274-279

  • PDF

• SPECIFICS OF TRANSLATING AUTHORIAL EPITHETS IN FICTION: CASE STUDY OF THE UKRAINIAN TRANSLATION OF DAN SIMMONS’ HYPERION

  Oleksandra Chernikova

  280-285

  • PDF (Українська)

• DUALITY OF SATIRE IN BRITISH MEDIA DISCOURSE

  Vita Yurchyshyn, Iryna Matiiash-Hnediuk

  286-291

  • PDF (Українська)

• THE MONOCHROME IMAGE OF “CALME BLANC” IN THE COLOUR SCHEME OF THE NOVEL “PÊCHEUR D’ISLANDE” BY PIERRE LOTI

  Nataliia Yatskiv, Olga Skarbek

  292-297

  • PDF (Українська)